When it comes to American history, ninguI is not associated another animal more of near the history of this country that the horse. Inseparable of the west wild, and indistinguishable of the image of the American cattle tender, horses will be identified by always with the American picture early. But chaste one of the horse with this caressed history is not interconnected more any that horses of the painting. But associated so of near American history as they are, ironic, horses of the painting it had his beginning in America via Spain. When the Spanish explorers came to the new world in 1519, they brought with them an enormous amount of sources and a number of horses. These horses of the painting puntearon possible the landscape in wild herds, and by 1800s the tribes of American Indians used chaste mounting to horse. Point through 1800s was a variety of names tied to these the covered horses and of 1900s, but the name that seemed to stick was the horse of Pinto. Nevertheless, a group of enthusiastic of the horse, dedicated preserving more than as soon as the unique landlords of the color of this chaste individual, group formed in years 60 being called the American association of the horse of the action of the painting - that ignited to identify and to classify possible the diverse varieties of horses of the painting. The horses of the painting - under this system of final classification - must not only adhere to the strident regulations of the landlord of the color but they must at least have a father who is a registered horse of the painting to be identified like part of the chaste one. The specific landlords of the color to paint horses include any combination of the white color and another norm of color to the horses such as brown, gray or black. Its colouring symbol often seems splashings of the painting - or the marks - on horse ‘ body but really fallen of s in the classifications tricolors that a horse must have for being considered a horse of the painting. The landlords tricolors are: tobiano, that offers generally four white points of the legs, round or oval through area of the chest and the neck, and an two-intoned tail; the dark landlord of overo where the prominent color is white or dark, four legs, colouring main target, and choose the colored tail; and a combination of tobiano and overo that talks about as tovero and is used to describe those horses of the painting that have common qualities of both. The horses of the painting see themselves today often in modern roundups of the day, as well as in competitions of the horse such as to compete with and demonstrating. The American horse of the painting is chaste a naturally intelligent one that extremely amiable and is trained easily. Like so, they are also of frequent use to mount straddling sign and like stroll temperate for the children. The image of the horses of the painting evokes thoughts of the American border where the battles were undertaken in open earth and underneath endless skies. This chaste individual of the horse encapsulates all the romanticism of these primitive principles. But the modern horses of the painting remain truths to their history whereas they take his place in modern times like competitor and companion.